Sunday, 30 November 2014

Making figures anonymous

3rd October 2014

This exercise looks at using different techniques for making people unrecognisable and less prominent. The aim was to take two to four images for each method.

At the beginning of the exercises of part 4, I still felt uncomfortable and sensed that people regarded my actions as suspicious (I think because Mansfield is a town of high unemployment and benefit claimants). An article I came across written by  Eric Kim in Digital Photography School suggested that if one stood in the middle of a road junction, no-one would take any notice of that person. I gave it a go and it was correct - no-one noticed. This put it into perspective for me.


Small and Many

In the first image, the people are too big. The lads are too noticeable. The viewer doesn't really get an idea of the sense of scale of the place. In the final 3, the people become anonymous. As time went on, the numbers of people increased, and especially in Nottingham it was hard to tell in camera where one group started and another began.

1/90 f8 ISO400 EFL134mm Mansfield
1/320 f8 ISO160 98mm (5D) Nottingham
1/80 f8 ISO100  38mm (40D) Nottingham
1/60 f8 ISO100 EFL38mm (40D) Mansfield

Facing away
In both these images, the people are anonymous as they are facing away from the camera. The girl's blue hair is replicated in the doors of Primark.
1/60 f8ISO100 EFL168mm (40D) Mansfield
1/200 f8 ISO 640 35mm (5D) Nottingham
In silhouette
The group of people walking towards me are in silhouette. Apart from the direction of their feet, the viewer would find it hard to distinguish which way the shoppers are facing. I struggled to find shadows of people on walls due to the time of year and misty days.
1/45 f8 ISO400 EFL168mm (40D) Mansfield
1/1250 f6.3 ISO400 99mm (5D) Southwell

Partly obscured
In image 1, the lady is hiding behind fabric on the market stall making her face and torso obscured giving her anonymity. The mirror in image 2 shows people who don't appear in the image which adds interest to the photo. Image 3 has people obscured in the bus shelter reflection. The joins in the mirrored panels on the hotel obscure the people making them unrecognisable.


1/30 f8 ISO400 EFL93mm (40D) Nottingham
1/45 f8 ISO400 EFL 168mm (40D) Nottingahm
1/60 f8 ISO400 EFL38mm (40D) Nottingham

1/60 f8 ISO100 105mm (5D) Nottingham
Motion blur
Image 1 shows a shopper in motion blur. She has become quite unrecognisable. The people in image 2 were caught in the reflection of the hotel. The angle distorts them and the motion blur makes them unrecognisable. In image 3, I looked at capturing people without heads to emphasis their feet outside a shoe shop.

1/15 f8 ISO100 12mm (Canon Powershot G11) Nottingham
1/15 f8 ISO100 73mm (5D) Nottingham
1/20 f8 ISO400 EFL134mm (40D) Nottingham

Bibliography
Eric Kim, Digital Photography School http://digital-photography-school.com/10-tips-for-the-aspiring-street-photographer/ accessed October 2014

Busy traffic

8th October 2014

Mansfield

First I tried this exercise in Mansfield. I spent time watching the flow of traffic. It wasn't really very busy though so I did this again in Nottingham with much busier traffic. 
Mansfield 1/60 f8 ISO100 70mm
In image 1 the shoppers were nicely spaced out and the view of their backs were not obstructed by any poles.

Mansfield 1/90 f8 ISO400 47mm
In Image 2 the shoppers are more clearly visible. People are in a hurry, checking watches and phones. The shoppers walk in all directions managing to avoid each other and the purposefulness of the shoppers makes it easy to get around without bumping into others.


Nottingham

Nottingham by comparison was much busier and the patterns different. Larger groups of people were out shopping and socialising. I aimed to show the busyness of the market square. The temporary market stalls attract people, and it was interesting to watch the number of people around the stalls change. The people in the foreground made a difference to the busyness too. When there was no-one in front of the the people were lost in the general market scene. 

Nottingham 1/750 f8 ISO200 35mm
Nottingham 1/250 f8 ISO100 24mm
Nottingham 1/250 f8 ISO100 67mm

A single figure small

3rd October 2014

A single figure small



Nottingham Playhouse Theatre has a sky mirror which appears on the tourist attraction signposts. Early October was still fairly warm so the parasols were in place detracting from the reflection in the mirror. 

As I walked around the corner towards the theatre I was surprised to see this chap having coffee. He was sufficiently far away from the mirror so as not to be in the way of the mirror. His back is towards the black wall and being back lit adds contrast and makes him appear more noticeable. He is placed off centre and looking into the frame, giving the viewer an indication of the distance between him and the foreground (sense of scale). In the scale of this image, the sitter loses his identity.
1/125 f8 ISO100 105mm

Response to Tutor Feedback Assignment 3

September 2014


Overall Comments

I was pleased with the overall received comments received from my tutor:

"quite a comprehensive assignment and I can see you have worked hard on the research of each building which has led to a good selection of images that take into account the respective buildings’ history and use. Your choice of buildings is good as each one offers quite a challenge to the photographer, you have taken your audience into consideration and have produced a range of shots that inform and illustrate." Tutor September 2014

Feedback from Assignment 3

Nottingham Railway Station – My tutor felt that I had captured the "overall design aesthetic of the station" and its alterations making it better for the customer in images 1 and 2. In Image 3 (platform) my tutor suggested that perhaps should have people in the empty foreground to draw the viewer into the image. I understand that people would look better in the image. This is the kind of shot that is probably difficult to repeat because of the positions of the trains, although I will bear the comment in mind for future reference (such as the market square in Nottingham). With image 4, I hoped to photograph someone walking down the stairs on the same side as me, and when people saw the camera they changed staircases. I had been informed by the station that I was not to capture the staff on the platform. At times it felt that at times there were more staff than travellers.


Papplewick Pumping Station – I thought hard about how to show the scale of this building so I was pleased that my tutor thought I had represented the scale. One area I did not show was the man shovelling coal. The reason behind this is that I really struggled to get a good exposure. The chap was moving fast and standing in a very dark area with sun coming through the glass roof, I burnt out the wall behind the chap. Had I have managed a decent exposure, I would have included this shot.  


1/30 f4 ISO400 28mm
For my final photograph of this building I chose an image to show the cavernous underground water storage reservoir. I appreciate that using a tripod would work better but time was limited as the tour guide kept us moving. 

Southwell Minster – My tutor thought these images showed the atmosphere well. I was pleased with these too, especially as I would normally have taken the image of the altar from a front facing view. Trial and error showed me that this position I adopted worked well and I was interested to note that Todd Hido (2014) (p20) suggests that when one is photographing space, “it is useful to use the perspective to draw the viewer into the frame. The diagonal line creates depth, and depth often works well in describing an environment. The diagonal lines extend your photograph into infinity.” My tutor liked the interaction in image 4 between the visitor and the building. 


Powell, M (2014) Sails Ahoy, Good Taste the magazine from  Select
Lincolnshire, Autumn/Winter 2014, Issue 20, Warners, Bourne

Photographs possibly Andrew Tryner
Green’s Mill – My tutor thought that this was another good choice of building and although I had shown the outside of the building, it could have been more dynamic. I wasn't quite sure how to do this until I was given a copy of a magazine showing Heckington Mill in Lincolnshire undergoing restoration. This had a dynamic image of the exterior of the mill. Once the weather is reasonable, I will try this again. I like the photo opposite as the sails, cap and brickwork contrast against the sky. The angle of the mill makes it appear much taller. 

The Collection – I was happy with the images showing the collection, and agree that image 3 of the museum using the the under floor space did not work as well as I had hoped. Also, on looking again, image 4 does look like the exhibits, although what I had tried to show was the was way the space was used and lit.  


Belton Orangery – My tutor commented that the exterior shot was good and gave the viewer an idea of the buildings location. The following three images were portrait orientation and taken that way because the view was tall and narrow. I felt they worked better that way . I am mindful of the fact that my natural instinct is to shoot in portrait mode and made a conscious effort in Assignments 4 and 5 to use a mix of both. Image 4 was my favourite image which I have had printed large and I am still pleased with it. 

Learning Log / Blog / Suggested Reading / Viewing Pointers For The Next Assignment

Adding extra navigation made my bog easier to use

To do:

Use a separate page to critically engage with other photographers work 

Further reading:


This is a holiday made up of photoshopped images by Dutch photographer Zilla van den Born who fooled her  parents and friends by sending them postcard images and posting on Facebook to make them believe she was actually on holiday. 

I was impressed at her photoshop skills and I think this is where planning an assignment in meticulous detail really helps. She had researched details such as time zones so she knew when to post on Facebook. The other question it raised was how believable it was - she fooled her family and friends and once the scam was revealed they were shocked that the images were not true. Self obsession is evident as she features on all the images and they are about her. I think the images are more creative than a holiday of selfies as van den Born has considered different poses, scale in relation to the building / landscape and  lighting.   Would she have got more out of actually taking the holiday? I am not sure. In my opinion, this must have been what she wanted to do because 5 weeks is a long time to pretend you are on holiday for.

"I did this to show people that we filter and manipulate what we show on social media, and that we create an online world which reality can no longer meet. My goal was to prove how common and easy it is to distort reality. Everybody knows that pictures of models are manipulated. But we often overlook the fact that we manipulate reality also in our own lives.” http://sobadsogood.com/2014/09/17/daughter-fools-family-friends-photoshops-her-entire-holiday/?fb_action_ids=10204427026457166&fb_action_types=og.comments accessed October 2014

I enjoyed viewing the images from Molly Macindoe and felt that she projected the atmosphere of the festival to the viewers of the magazine. She states in her blurb that some of the people are people that she is involved with in another project.


http://py-zine.com/post/96212793643/photographer-molly-macindoe-presents-her-exclusive


References



Hido, Todd (2014) on landscapes, interiors and the Nude, aperture publishing, New York P20

http://sobadsogood.com/2014/09/17/daughter-fools-family-friends-photoshops-her-entire-holiday/?fb_action_ids=10204427026457166&fb_action_types=og.comments accessed oct 2014

Bibliography


Powell, M (2014) Sails Ahoy, Good Taste the magazine from  Select 
Lincolnshire, Autumn/Winter 2014, Issue 20, Warners, Bourne (Photographs possibly Andrew Tryner)